I’m always amazed by the sheer number of metal bands flying under the personal radar. Take Inner Sanctum: the dudes have been active since 2006 and dabble in death metal, but I haven’t heard of ’em until this year. On the other hand: “The Great …
Bands churning their songs out with the trademark HM-2 sound will always win my heart. Crawl – who claim legendary death metal capital Stockholm their home – flavour their worship of classic Entombed and Dismember-style death metal with hints of crust and punk (“Enslaved in …
Predictabillity offers comfort. This is true for every aspect of life, up to and including music. Peole figure out which genre they like and what kind of song, album, and music to expect. This holds true for individual artists as well – when you grab …
Darkthrone always deliver. It is not their strongest work, nor their weakest, but a strange monument to persistence and another reminder that the duo will always follow their own crooked path, even if it leads into the shadows of repetition.
Ontborg surprised me with their latest record “Following the Steps of Damnation”: it unfolds like a frostbitten lament that slowly blooms into grim majesty and the guitars gnash with HM-2 fury (Im in love already). Ontborg weave a melodic death metal tapestry that feels both …
Lethvm give the listener a daring, frostbitten experiment in atmosphere and aggression, a record that shifts between lurching doom, blackened edges, post-metal breadth, and occasional post-hardcore unrest. “Winterreise” doesn’t always land every twist, but many of its risks sing in the silent cold it carves …
Borknagar’s “Fal”l is a refinement, weaving frostbitten aggression with sweeping melody into something both immediate and vast. It balances raw power and reflective calm, proving that the band’s maturity sharpens rather than softens their edge.
Hauntologist offer with “Hollow” an album that rests between the dreamlike and the dissonant, a body of work more interested in atmospheres than in momentum. Built upon the collaboration of musicians with long roots in Poland’s extreme metal underground, the record is neither a straightforward …
Krieg’s return with “Ruiner” is both an affirmation and a revelation, the kind of record that could only come from decades of abrasion, collapse, and survival within American black metal. Since the mid-90s, Krieg has become a singular entity – too raw to be ignored, too …
