Fimbul Winter’s “What Once Was” is a record that doesn’t just wear its influences on its sleeve but brandishes them like a battle axe. The EP, born from a reunion of three former Amon Amarth members, offers is Swedish death metal as it was meant …
Harrowed show their love for HM-2 death metal, while infusing it with a punk attitude and enough filth and grime for maximum credibility. The result is a banger of an album.
“The Ghost Of A Future Dead” is a devastating, magnificent farewell record, a final burst of creativity from Tomas Lindberg and his partners in crime. This album is not just a swan song, but a triumphant testament to a legend whose ghost lives on in every riff and growl.
Vomitory’s new record is a sledgehammer of Swedish death metal precision. It’s a 40-minute reminder of why the old school still reigns supreme.
Slaughterday’s “Dread Emperor” is a sledgehammer of old-school death metal with riffs so sharp they’ll flay you alive. It’s not here to reinvent the genre, but to remind you why death metal is still fun.
“Where Skulls Pile High” is a relentless, riff-driven love letter to old-school death metal. A no-filler assault that leaves you craving more and marks Skullhammer as a force to be reckoned with.
Fragments Of Unbecoming’s “Dawnbringer” is a relentless, polished return to the melodic death metal glory of the ‘90s. Even after all these years, band still knows how to craft death metal that’s as powerful as it is precise.
“The Rot Beneath” doesn’t bother with subtlety or finesse, but is content with delivering’ four tracks of unapologetic, bone-crushing HM-2 death metal.
“Necro” is exactly the kind of album that makes traditionalists grin with bruised teeth and banged heads. HM-2 galore!
The Halo Effect’s “March Of The Unheard” is melodic death metal as it was always meant to be: a masterclass in riffs, hooks, and emotional weight, delivered with the kind of confidence and craftsmanship that only comes from veterans operating at the absolute peak of their skill.