Review: Oaken – From The Bonfire
Hungary’s Oaken return with three strong songs that show the band’s willingness to work on their sound. Intense and heavy, “From The Bonfire” is a rewarding experience for fans of sludge and postcore.
Hungary’s Oaken return with three strong songs that show the band’s willingness to work on their sound. Intense and heavy, “From The Bonfire” is a rewarding experience for fans of sludge and postcore.
Cave In cover the battlefield of past and present and “Heavy Pendulum” hangs there, refusing to settle.
“Eventualities” builds on Ostraca’s long-standing balance of screamo volatility and postrock symbolism, refining ideas they’ve been sharpening since their earlier releases.
“No Title As of 13 February 2024, 28,340 Dead” is Godspeed You! Black Emperor at their most unforgiving, transforming grief and political fury into a slow-moving monolith of sound that refuses comfort or release. It’s a harrowing, deeply human record that demands patience and emotional investment, but rewards it with a sense of weight and purpose few bands can summon.
“Embers” drifts between grief and grandeur, letting strings and exotic tones bloom over ruinous guitar swells and mournful silence. Its lengths falter occasionally, but when it catches fire it burns hotter than many peers.
Two drummers, a wall of fog, and light that cuts like a blade – Cult of Luna throw Bremen into a slow-moving storm.