“Solastalgia” feels like the year’s slow descent into silence, with fallen leaves, fading light, and the ache of something ending. It may waver in pacing, but its sincerity and sense of place make it linger long after the air turns cold.
“Defiance” is a hammer blow wrapped in poetry, part chainsaw-death, part atmospheric lament, testifying that Nightbearer are more than just worshippers of old Swedish death—they are its sharper, angrier evolution. The album stumbles just a few times in pacing and mix, but even those stumbles are over terrains of riffs and ideas worth stumbling over.
“Idaho” hits like a punch to the teeth and then tends your wound with surprising nuance, mixing pulverising riffs and speed with touches of folk, personal history, and community pride. It’s relentless and unforgiving, yet those cracks in the armor make the intensity hit harder.
“Asservis par l’espoir” is a bleak and ambitious debut that balances dissonant black metal with moments of fragile melody, all carried by anguished French vocals that cut like a knife.
“Candela” is an album that never hides its scars, a raw collision of blackened crust and emotional upheaval that claws at you rather than invites. It falters in pacing and clarity, but its honesty and ferocity keep it burning long after the noise fades.
Kreator will release their sixteenth studio album, “Krushers Of The World”, on January 16, 2026 via Nuclear Blast Records. The first video single has been released.
Obstruktion’s second full-length shreds complacency: nine tracks packed with riffs that scrape and bite, breakdowns that collapse the air, and uncanny atmosphere that lingers long after the storm has passed. “The End Takes Form” erupts as a roar of metallic hardcore tempered with death metal’s …
Amorphis return with “Borderland”, a record that favours refinement over upheaval. It may not shock, but its balance of melody, atmosphere, and weight proves the band’s mastery is far from fading.
“Nocturne” drifts between shadow and revelation, its folk roots stretched into darker corridors without always finding a lasting spark. Haunting in mood but hesitant in execution, it lingers like mist, evocative yet never fully consuming.
Runemagick will release their new studio album “Cycle of the Dying Sun (Dawn of Ashen Realms)”, on 31st October via Hammerheart Records. The band unveiled “Wyrd Unwoven” to give an impression of the record.