The Halo Effect’s “March Of The Unheard” is melodic death metal as it was always meant to be: a masterclass in riffs, hooks, and emotional weight, delivered with the kind of confidence and craftsmanship that only comes from veterans operating at the absolute peak of their skill.
“Swallowing The World” is classic Swedish melodic death metal, where riffs are razor-sharp, hooks are aggressive, and the spirit of the old Stockholm school looms large. And for the most part, it delivers. The band out of Gothenborg don’t waste time with pretense: from the …
“Heir” is a suffocating, brilliant, and utterly essential listen for anyone who craves music that’s as intellectually engaging as it is viscerally devastating.
The Man-Eating Tree haven’t just survived their hiatus – they’ve returned stronger, darker, and more compelling than ever.
The lastest record of Denmark-based Cabal is a suffocating, smartly crafted descent into deathcore brutality that occasionally stumbles into predictability, but does so with enough conviction and creativity to leave a mark.
Omnium Gatherum’s “May The Bridges We Burn Light The Way” roars back with a renewed sense of heaviness and melodic precision, blending thrashy aggression with soaring choruses that remind you why they’ve endured for three decades.
My Darkest Hate release a new lyrics video to give an impression of their new record “Rust and Bones”.
Lacabra offer a fresh take on Seattle metal, channeling raw power and swedish death metal energy into a solid debut album.
“Hideous Aftermath” feels like being hit repeatedly with the same blunt object: oddly satisfying at first, then numbing. It’s grotesque, absurd, and loud, but behind the noise, you can hear a band circling the edges of its own exhaustion.
“Plague Of Cancers” pummels with buzz-saw guitar tone and groove-laden riffs, its HM-2 chainsaw buzz the core of its attack. It may tread familiar terrain, but when it hits right it still smacks like death metal born to be unleashed.